The film begins with the band setting up a home studio to record their album. The film cuts between this and the counselling sessions they have, which is an interesting juxtaposition, between the high's of them in the studio, hiding their opinions and feelings through playing music loudly and the quiet, sombre environment, which makes the film narratively quite interesting. Being a music documentary, what makes the film interesting is the lack of music in the film, which is different to a lot of music documentaries out there, that have extended period's of music, whereas Some Kind of Monster only has short 10-20 segments of live music and focuses more on what the members of the band have to say about everything going on and what they are feeling. This is something I aim to do when making my film, as I want to focus more on the individuals and their lives rather than getting too distracted by the music.
Screenshot of Lars and James in the studio
The relationship between James Hetfield and Lars Ulrich is something that is very interesting due to the fact that they are two very big characters that tend to collide a lot of the time during the film, whereas the guitarist, Kirk Hammett, is more of an introvert, trying to keep the peace. There are a few major lows in the documentary, being the moment when James, the lead singer/guitarist had to go to rehab for almost a year. After this period he could only record in the studio from 12:00pm to 4:00pm.
Screenshot from the animation made, parodying the lawsuit Lars Ulrich took out on Napster.
Even though i'm not a huge fan of Metallica, I still felt a lot of enjoyment whilst watching the film, even though its a genre i'm not a huge fan of, or very familiar with. This is something I would like to do to my audience, being that Iron Maiden is a metal band that is to a required taste. Because the personalities of each member are so different and unique, the film is therefore made into something more interesting, differentiating from a straightforward music documentary about the history of rock/metal, where the lives of metal icons are only touched upon and the music leads the film concept. This is something I am looking to steer away from, and the casting process I intend on doing will help chose interesting individuals to focus my film on.
The end of the film touches upon the success of the band and their reformation with a new bassist, Robert Trujillo, The band offers him one million dollars to be a part of the band, which is just another reminder of the scale of the band on the metal scene, and how successful they have been. The inclusion of a bassist begins the resolution that the band were trying to find throughout the film. The inclusion of the bassist brings them all together and keeps them strong throughout all the dark, negative times they had shared previously. This then progresses to the preparation of the Metallica tour and the release of their new album, St Anger, where the members get emotional looking back at the past few years of their lives in the band, and how things have drastically improved. The film ends with a live performance dedicated to the success of the band, hosted by MTV. This is an interesting contrast to the beginning of the film, where the band were unenthusiastic and lifeless, and the leaps and bounds they made to perform at a huge venue with smiles on their faces at the end. I felt this was a predictable, yet satisfying end to the film.
Screenshot of the full, revised line up including their counselor.
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