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Wednesday, 28 October 2015

In preparation for my shoot, I decided to update my plan for the day and organise interviews at a certain point in the day. The updated schedule of the day is as follows:

 Sunday the 8th of November 2015:

10:45am- Meet at 76 Roman Way 

11:00am-11: 15am- Load up taxi from Roman Way to Farnham station. Unload equipment. 

11:30am- 12:30pm: Get the train from Farnham to Waterloo station 

12:30pm-1:15pm: Get the train from Waterloo to Leytonstone underground station 

1:15pm-1:25pm: Taxi from Leytonstone station to the Plough and Harrow, Leytonstone. 

1:25pm-2:00pm: Setting up equipment (Tripods, Sound recorders to the mixer, Camcorders, Lighting). 

2:00pm-4pm: Give crew roles and directions, discuss project idea with ex-members, conduct interviews, interact with audience, get release forms/actors permission forms signed. 

4:00pm-5:00pm: Soundcheck for bands (Testing sound recording from the mixer to the sound recorder), break for crew. 

5:00pm: 5:15pm: Test cameras, finalise shot set up and shooting time.

5:15pm-6:00pm: Filming of first act (Jenny Darren)

6:00pm-6:15pm: Playback of footage. Stop sound recorder. 

6:15pm-7:15pm: Filming of second act (Airforce, featuring Doug)

7:15pm:7:30pm: Playback of footage. Stop sound recorder. 

7:30pm-8:30pm: Filming of third act (Buffalo Fish including Terry Wapram who was the guitarist of Iron Maiden in 1977-1978) 

8:30pm-8:45pm: Playback of footage. Stop sound recorder. 

8:45pm-9:15pm: Break for crew. 

9:15pm-9:45pm: Filming of final act (GV1, featuring Terry Rance, the original guitarist of iron maiden and Dennis Wilcock, the original vocalist of Iron Maiden) 

9:45pm-10:05pm: Pack up all equipment. Shoot over. 

10:05pm-10:15pm: Get the taxi from the venue to Leytonstone Station (Including taxi loading/unloading equipment period)

10:15pm-10:55pm: Train journey from Leytonstone to Waterloo 

11:07pm-12:15pm: Train from Waterloo to Farnham 

12:15pm:12:25pm: Load up taxi with equipment. Dropped off at Roman Way. Unload taxi. 

Sunday, 25 October 2015

To give my project more of a concept, I decided to look at themes of life in the 1970s/80s, the decades in time that the ex-members would've grown up in, in relation to rock music.



I decided to look in the sociological side of Metal and Rock to identify key themes that I could pursue within the context of my film. I began to read ‘The Sociology of Rock’ by Simon Frith, which spoke about several themes, such as youth and music, making money, rock musicians, rock culture and the press. I decided to write out a few key quotes I found interesting and inspiring in regards to furthering my research of the rock and metal genre. For instance ‘Rock is often analyzed as a contemporary folk music- a music made for young people by young people and therefore ‘emerging’ from young people’s culture’ suggesting that the genre of rock is immersive within youth.

In relation to Iron Maiden, most of the members of the original line-up would’ve been in their early twenties, being a part of the youth culture of the time, thus appealing to younger audiences discovering there taste in music. The book discussed youth and music in relation to the normality’s of society, where 15-16 year olds would identify themselves as ‘hairies’ or ‘hippies’, promoting their hatred for commercial music and love of progressive rock. In addition to labeling themselves through nicknames, teenagers would also dress a certain way in order to identify to a certain group. For instance ‘Skinheads’ would dress neatly and were ‘Always polished to perfection’.

The themes of fashion and rebellion would’ve played a huge part of many of the ex-members everyday lives when they were younger, which would ultimately lead all of the characters going on to join Iron Maiden, producing music completely different to the norm of the time. Female youth was also an interesting topic of conversation within Frith’s work. Rock as a part of a teenage girls life would similarly involve using ‘labels’ which would identify you a certain way. Similarly, ‘Skinhead’ girls would spend a lot of their time at home, as their families would forbid them from leaving the house; ultimately limiting their social existence.

Frith describes female youth culture as ‘a culture of the bedroom’, where girls would meet, stay at home and listen to music. This is an interesting topic, and one I would like to look into further and through conversation with ex-members wives, hopefully find out more information about and explore further. Not only did the book cover youth in relation to music, but it also looked at other aspects of youth, for instance the employability of boys and girls in the 60s and 14 70s and their career paths after compulsory education. The books also discussed social class and what affect that had on young peoples lives. This is a theme that would’ve been prevalent of the 1960s and 1970s, when a lot of the ex-members were growing up in different parts of London and Essex. This is a theme that I will develop my knowledge of over the fore-coming weeks and will be identified within my film through the questions I will be asking each of the ex-members.

Friday, 23 October 2015

Inspired by the organisation of several other films and through chatting with Julia, I decided to organise the project a little better by coming up with a Trello.com account and setting deadlines and tasks for me and Julia to do.

The website allows you to come up with sections where you add 'Cards', that you can Name, set deadlines to, add checklists and notes to, which is really useful when it comes to getting things done as you can tick asks off once they have been done and add useful notes to each document, for instance if something needs to be revised. 

I also decided to produce a shooting schedule for the charity event I intend on filming, along with a budget list and crew roles. 

'Sunday the 8th of November 2015:

11:00am- Meet at 76 Roman Way

11:10am-11: 20am- Taxi from Roman Way to Farnham station

11:30am- 12:30pm: Get the train from Farnham to Waterloo station

12:30pm-1:00pm: Get the train from Waterloo to Leytonstone underground station

1:05pm-1:10pm: Taxi from Leytonstone station to the Plough and Harrow, Leytonstone.

1:15pm-2:00pm: Setting up equipment (Tripods, Sound recorders to the mixer, Camcorders, Lighting).

2:00pm-4pm: Help Doug set up his drum kit, conduct interviews, discuss project ideas to potential cast members, interact with audience, sign release forms/actors permission forms, give crew roles and directions.

5:00pm-5:30pm: Soundcheck for bands (Testing sound recording from the mixer to the sound recorder)

5:30pm-6:00pm: Filming of first act (Jenny Darren)

6:00pm-6:15pm: Playback footage from EX1 and EX3

6:15-7:15pm: Filming of second act (Airforce, featuring Doug)

7:15pm:7:30pm: Playback of footage from EX1 and EX3

7:30pm-7:45pm: Conduct a short Interview with Airforce (Reaction to being on stage, how they felt the gig went etc)

7:45pm-8:45pm: Filming of third act (Buffalo Fish including Terry Wapram who was the guitarist of Iron Maiden in 1977-1978)

8:45pm-8:55pm: Playback of footage 6:00-6:15pm: Playback footage from EX1 and EX3

8:55pm-9:15pm: Conduct a short interview with Buffalo Fish (Reaction to being on stage, how they felt the gig went etc)

9:15pm-10:15pm: Filming of final act (GV1, featuring Terry Rance, the original guitarist of iron maiden and Dennis Wilcock, the original vocalist of Iron Maiden)

10:15pm-10:20pm: Playback of footage from EX1 and EX3

10:20-10:30pm: Conduct a short interview with GV1 (Reaction to being on stage, how they felt the gig went etc. During this time Lauren and Julia will be packing away equipment whilst Josh and Thomas will be conducting the interview)

10:30pm-10:50pm: Packing up of all equipment, collection of necessary documents. Shoot finished.

10:50pm: Pick up by taxi from the Plough and Harrow to Leytonstone Station

10:55pm-11:40pm: Train journey from Leytonstone to Waterloo

11:40pm-1:00am: Train from Waterloo to Farnham

1:00am: Pick up by taxi from Farnham back to Roman Way.'

Crew Roles on the 8th November 2015

Joshua Sampson
Director, producer and interviewer -Will be directing crew on what they need to film at event. Will also be interviewing and conversing with each participant.
Julia Cowell
Assistant Producer - Will be making sure crew keeps to schedule as well as making sure each participant signs a personal appearance form. Will also help with lighting and sound in the interview space.
Lauren Fox
Camera Operator - Will be operating the stationary (EX1) camera near front of stage.
Thomas Doukinitsas
Camera Operator - Will be operating the interview and moving (EX3) camera.

All crew will participate in moving equipment to the venue and setting up.


Day Budget


Cost
Paid by
Taxi to Farnham Station
£8
Joshua Sampson
Train Tickets x4
£73.60
Joshua Sampson
Julia Cowell
Lauren Fox
Thomas Doukinitsas
Taxi from Leytonstone to venue
£5
Joshua Sampson
Food and Drink
£30
Joshua Sampson
Julia Cowell
Donation for charity event
£20
Joshua Sampson
Taxi from venue to Leytonstone
£5
Joshua Sampson
Taxi from Farnham station to Roman Way
£8
Joshua Sampson
TOTAL
£149.60


Julia drew up a floor plan of the venue, so that we know where to set up and how to go about filming the event, in regards to space and so on. 


Wednesday, 21 October 2015

When I had a tutorial with Anne I was told to watch a film called 'Some Kind of Monster', directed by Joe Berlinger and Bruce Sinofsky. The film itself is based around the metal band Metallica during the period of the early 2000s, when the band had not released an album for a number of years and were at rock bottom. The film shows the period of time in which there was a lot of tension within the band, resulting in the counselling of a psychiatrist to work out the bands problems.

The film begins with the band setting up a home studio to record their album. The film cuts between this and the counselling sessions they have, which is an interesting juxtaposition, between the high's of them in the studio, hiding their opinions and feelings through playing music loudly and the quiet, sombre environment, which makes the film narratively quite interesting. Being a music documentary, what makes the film interesting is the lack of music in the film, which is different to a lot of music documentaries out there, that have extended period's of music, whereas Some Kind of Monster only has short 10-20 segments of live music and focuses more on what the members of the band have to say about everything going on and what they are feeling. This is something I aim to do when making my film, as I want to focus more on the individuals and their lives rather than getting too distracted by the music.
Screenshot of Lars and James in the studio

The relationship between James Hetfield and Lars Ulrich is something that is very interesting due to the fact that they are two very big characters that tend to collide a lot of the time during the film, whereas the guitarist, Kirk Hammett, is more of an introvert, trying to keep the peace. There are a few major lows in the documentary, being the moment when James, the lead singer/guitarist had to go to rehab for almost a year. After this period he could only record in the studio from 12:00pm to 4:00pm.

Screenshot from the animation made, parodying the lawsuit Lars Ulrich took out on Napster. 

The film also focuses on the other band members for instance Lars, who is an artist in his spare time, selling painting for millions of dollars. The film also shows negative aspects of his life, for instance not being able to perform some of the songs properly in the studio and the suing of Napster, a free music website that illegally used the bands music. The court proceedings led to a negative response by Metallica fans, some of whom destroyed their Metallica albums in rage. Kirk, the lead guitarist, enjoys surfing in his spare time and spending a lot of his time alone. Throughout the film you can tell Kirk is more of an individual, and acts differently to the other members. James, the lead vocalist and backing guitarist enjoys driving expensive motorcycles whilst trying to fit in time with his family, especially his daughter, who we see throughout the film in the studio and at her dance practice. The inclusion of the families of the band members is interesting as it gives a more in-depth look into the individual members of the band and adds a lighter feel to the film, juxtapositioning between the harsh reality of life in a failing band and the simpler things in life that they seem to take for granted, like family.

Even though i'm not a huge fan of Metallica, I still felt a lot of enjoyment whilst watching the film, even though its a genre i'm not a huge fan of, or very familiar with. This is something I would like to do to my audience, being that Iron Maiden is a metal band that is to a required taste. Because the personalities of each member are so different and unique, the film is therefore made into something more interesting, differentiating from a straightforward music documentary about the history of rock/metal, where the lives of metal icons are only touched upon and the music leads the film concept. This is something I am looking to steer away from, and the casting process I intend on doing will help chose interesting individuals to focus my film on.

The end of the film touches upon the success of the band and their reformation with a new bassist, Robert Trujillo, The band offers him one million dollars to be a part of the band, which is just another reminder of the scale of the band on the metal scene, and how successful they have been. The inclusion of a bassist begins the resolution that the band were trying to find throughout the film. The inclusion of the bassist brings them all together and keeps them strong throughout all the dark, negative times they had shared previously. This then progresses to the preparation of the Metallica tour and the release of their new album, St Anger, where the members get emotional looking back at the past few years of their lives in the band, and how things have drastically improved. The film ends with a live performance dedicated to the success of the band, hosted by MTV. This is an interesting contrast to the beginning of the film, where the band were unenthusiastic and lifeless, and the leaps and bounds they made to perform at a huge venue with smiles on their faces at the end. I felt this was a predictable, yet satisfying end to the film.
Screenshot of the full, revised line up including their counselor. 

Overall I thoroughly enjoyed the film and have taken many inspirations from it. The fact that the film actually uses more spoken dialogue than music is an interesting alternative to a typical music documentary. This is something I intend on following during the production of my film. I enjoy the fact that each member has an interesting life story and character, which is something I hope to achieve, being the uniqueness of the individual that makes a viewer, who may or may not be familiar or so much like the band, want to continue watching.

Sunday, 18 October 2015

Doug's gold record for the first self-titled Iron Maiden album which he performed on, which reaching 100,000+ copies sold. 

To further my knowledge of Iron Maiden and to get an inside look into the history of the band and the music scene of the time, I decided to visit my uncle at his house in essex, which gave an insight into how he lives his life and what his interests are. I recorded a brief interview with him (link below, which is currently a rough-cut), where he shared some experience of his time in the band and what he is doing outside of Iron Maiden, which is the main focus idea of my film. I was also given a few names of some people who would be interested in being in the film whom have a good relationship with Doug and have been a part of Iron Maiden such as Bob Sawyer, Terry Rance, Tony Moore and Dennis Wilcock, all ex-members of the band. I was also shown some live performances of rock and metal spanning from the 60s to the 80s, such as The Who live in Texas (1975) which gave a great insight into live performance and where Doug's aspirations to become a drummer came from. This sort of information really helps me build a relationship with the people I want to be a part of the film and also is useful in furthering my knowledge of different aspects, in this case the beginnings of rock. My uncle also showed me some cd's, photographs and other useful items that related to his drumming experiences that weren't on the internet, which goes to show how limited the internet is in contrast to the actual memories and experiences people have in life, which aren't always publicised online. Doug also showed me his 3 dogs, which were very cute.

                                                                   Inside Doug's drum room

Doug's three(ish) dogs

 Brief rough-cut of an interview recording with my uncle, Doug Sampson. 





 
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